Showing posts with label lucille ball. Show all posts
Showing posts with label lucille ball. Show all posts

Wednesday, August 6, 2014

Thank you, Lucy

Dearest Lucy, 

Thank you for your crazy antics as Lucy Ricardo that bring so much laughter to my life. Thank you for your strong will which kept you going when times were tough, when the world was seemingly against you. Thank you for your hot and cold relationship with Desi. Even when it was "cold" you still loved each other like no one has ever loved before. Thank you for your sweet relationship with Lucie and Desi Jr. Thank you for always keeping that fiery spirit even as you aged. Thank you for always keeping up with your henna rinses, for that was the Lucy we adored. Thank you for Stone Pillow, no explanation needed. Thank you for introducing me to Carole Lombard, for I adore her in many of the ways I adore you. Thank you for spending your summers in Del Mar. I envision you there each time I go. Thank you for writing down your life story. It is a pleasure (and a sorrow at times) reading about your childhood and the early years in your career. 


A home movie still, 1940s


Glamorous Lucille, 1930s


Studying a script, 1960s


Trying to make Desi Jr smile after his baptism, 1950s

 Lucy, thank you for being my happy place. Thank you for being brave. Thank you for being you.


Happy Birthday, Darling.

Love,



Saturday, April 26, 2014

We still love Lucy!

25 years ago today, we lost the greatest comedienne who has ever lived. We miss you, Lucy.


"One of the worst things the studio people did was shave off
my eyebrows. We were all trying to look like Jean Harlow."


Lucille spent two years re-learning how to walk after
being stricken with rheumatoid arthritis at 19.


Using the name "Diane Belmont," Lucille started work as
a chorus girl on Broadway in 1932.


She was known as Queen of the B movies


She was friends with some of Hollywood's biggest actresses,
including Ginger Rogers and Carole Lombard.


When Lucille was a teenager, her mother sent her to drama school 
in New York City, where she was in classes with Bette Davis.
Lucille said, "All I learned in drama school was how to be frightened."


Desi and Lucille met in 1940 and married soon after. 
They had a rocky relationship, though they were deeply in love.


Technicolor Tessie of the 1940s


The studio dyed her hair her trademark red for the film
DuBarry Was A Lady in 1943.


MGM publicity shot


 Lucille started on the CBS radio show My Favorite Husband
 in 1948.


Her favorite movie she appeared in was The Big Street in 1942 
with Henry Fonda.


Lucille had the longest association with Max Factor
out of anyone in Hollywood.


"One of the things I learned the hard way was that it doesn't pay to get discouraged.
Keeping busy and making optimism a way of life can restore your
faith in yourself."


She has two stars on the Hollywood Walk of Fame.
One for motion pictures, and one for television.


Lucille suffered three miscarriages before having her two
children, Lucie and Desi Jr. She was 39 & 41, respectively, when 
she gave birth to her children.


Lucy claimed that her friend, Carole Lombard, who had passed away
in a plane accident in 1942, came to her in a dream and told her to
"give it a whirl!" in regards to I Love Lucy.


Lucille and Desi performed a Vaudeville act in the early 1950s.
Some of their acts were performed in I Love Lucy episodes.


I Love Lucy began its 6 season run in 1951.


After I Love Lucy, the Ricardos and Mertzes continued their
hijinx on The Lucy-Desi Comedy Hour until 1960.


In 1953, Lucille went on trial and was accused of being a Communist.
She was later acquitted after disproving the claims.


When Desi and Lucille created DesiLu,
she became the first female to head a production company.


Lucille and Desi divorced in 1960, shortly after The Lucy-Desi Comedy Hour
ended.


In 1960, Lucille appeared on Broadway once again, 
this time in Wildcat.


Lucille also starred in two other sitcoms, The Lucy Show and later Life With Lucy.
She also made a few films in the 1960s.


Lucille attempted a comeback in the 1980s, hosting a retrospect of Three's Company.
She also made Stone Pillow, a movie which was not widely accepted.


Lucille passed away after complications from surgery on April 26, 1989.


I love you, Lucy!! 

Thursday, April 10, 2014

Hollywood in Kodachrome

This week, I received a book called Hollywood in Kodachrome by David Wills and Stephen Schmidt. In short, it is a fantastic coffee table book of vintage celebrity photographs. 

Kodachrome film was first used in the 1940s and was the first time people were seeing Hollywood stars in color. It brought new life to Hollywood and boosted the careers of those actors and actresses with colorful appearances, such as my personal favorite, Lucille Ball. With her milky skin, fiery red hair, and bright blue eyes finally on display, she was being cast in better films and given the nickname "Technicolor Tessie." In fact, Hollywood in Kodachrome dedicates a whole section to Lucille with 12 stunning color photographs.

This book is filled with beautifully restored photographs that are bursting with color and detail. The moment I saw a sampling of photographs on Vanity Fair's website, I knew I had to buy Hollywood in Kodachrome. The book displays over 200 publicity shots, movie stills, magazine covers and more all from 1940 to 1949. Every 1940s celebrity you can think of grace the pages of Hollywood in Kodachrome, from Rita Hayworth to Frank Sinatra, Betty Hutton to Humphrey Bogart. The photographs in the book are by all the big Hollywood photographers like George Hurrell, Bernard of Hollywood and Ernest Bachrach, just to name a few.

There are six total chapters of photography in Hollywood in Kodachrome. Chapter one is titled When Goddesses Roamed The Earth. This chapter, as you can imagine, reveals dazzling photos of all of Hollywood's most beautiful women: Rita Hayworth, Betty Grable, Jane Russell, and more. The next chapter Light and Illusion is over 120 pages illustrating the use of light in photography to showcase celebrity faces. Technicolor Tessie, as I mentioned before, comes third. Imagine living in the 1940s and seeing Lucille in bright color for the first time! The Posed Candid is the fourth chapter, and it's just as it seems. People wanted to see celebrities in their homes or doing normal everyday tasks, so photographers posed their subjects in casual settings. Here we see Alan Ladd carving a turkey, Ed Sullivan and Clark Gable golfing together, and Maureen O'Hara cuddling two puppies. Stars and Stripes displays Bing Crosby and Ann Miller in their red, white, and blue during the World War II era, Tyrone Power and Henry Fonda in their military uniforms, and John Wayne and James Cagney in stills from WWII movies. Lastly, Selling the Dream is full of celebrity endorsements. They've been around as long as there has been movie stars and products which need selling! Many times an advertisement would have the celebrity boasting the product and their latest picture at the same time. Hedy Lamarr sells makeup, Betty Grable tempts us with a cold Royal Crown soda, and a young Marilyn Monroe demonstrates how gorgeous prints from your personal collection of slides can look!  
Gene Tierney by Jack Albin
1942


Ava Gardner by Clarence Sinclair Bull
1944


Cary Grant by Ernest Bachrach
1947


Danny Kaye and the Goldwyn Girls
1944


Errol Flynn by George Hurrell
1940


Fred Astaire by Eric Carpenter
1947


Gregory Peck by Madison Lacy
1946


Guy Madison and Shirley Temple by Bob Beerman
1945


John Wayne
1942


Lucille Ball by Eliot Elisofon
1943


Marlene Dietrich by Al "Whitey" Schafer
1947


Rita Hayworth by Robert Coburn
1947


Ronald Reagan
1945


Frank Sinatra by Pagano
1945


Yvonne De Carlo by Ray Jones
1945


David Wills and Stephen Schmidt signing copies
of Hollywood in Kodachrome
(www.duuplex.com)

My newly discovered favorite photo is also featured right in the middle of Light and Illusion (the photo is credited to Clarence Sinclair Bull). I gasped when I saw it in all its glory! I will own a print of it someday.

I am so elated this book is in my collection. I adore coffee table books that are full of Old Hollywood photos. I appreciate the value of Old Hollywood. We don't get to see this type of glamour, elegance, and poise in today's Hollywood. I'm so thankful to David and Stephen for taking the time to find and restore all these images, making sure they are preserved and giving the proper credit to all the wonderful photographers of yesteryear who worked so hard to make an art out of photography. Hollywood in Kodachrome is a must-have!

Until next time,

 
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